Gwen Harwood: Changing Of The Self Essay -- essays research papers

In Gwen Harwoods poetry, the changes in an someones situation and attitudes towards situations, surroundings and, therefore transformations in themselves, atomic number 18 brought on by extraneous influences, usu aloney in the form of a psyche or an event. These changes be either results of a dramatic realisation, as seen with bust of a youngsters hopes in The Glass Jar, or a melancholy and delaying process, where a series of not so lucid regainies produces similar reformation. An simulation of the later case would be Nightfall, the second plane section of Father and Child, where the spokesperson refers to her forty years of life ca utilize ontogeny. For the most part these changes are not narrated directly plainly are represented by using high-power language techniques to illustrate continuous change in the universe of the poem. One of the significant aspects of changing self-importance covered in Harwoods poems is the process in which, a nestlings complimenta ry mind, like a blank page, is inked and tainted by some experience. Their hopes, dreams, beliefs, founded on their naive perspective of life, and the way the young restyle themselves consciously or subconsciously as they make new discoveries are all explored. In the poem The Glass Jar we witness the heart-wrenching episode in a half-size boys life, where he is made to discover a blue reality. Putting his faith first in a monstrance and and then in his own mother, he finds himself being betrayed by both. With the numerous allusions to temper (for example the personification of the sun and references to animals and woods and so on) Gwen Harwood constructs a dynamic backdrop which allow the responder to dwell on the penetrating shifts in the childs personality. The setting is the terrain of nightmares and dreams, where conscious leave alone is suppressed and the reigns are handed to the subconscious mind. By making subtle changes in the shipway dreams are portrayed, she shows us that the boy has been changed by his experiences. in front the betrayals the dreams are kinda indefinite, relying on incomplete images of pincers, claws and fangs to represent the horror. The lines, His sidelong fierceness summoned/ fiends whose mosaic imagination saw/ his heart entire are vocal indications of his incapability to deal what is happening to him. Then he wakes and attempts to seek pouffe from the monstrance. His hopes for a miracle, brought on by his innocence, ... ... its mysteries. References to time and transience fill these verses. interfere with the many allusions to temperament we see constant movement and change since there is no much to taste Father we pick our last / fruits of the temporal. precisely this time the woo is less seeking, more slow and uncommitted, reflecting the calmness and influence acquired by experience. more than than death itself, Harwoods poetry shows how many passel fail to take away death. Their belief in immortality and fear of the end is too potrayed in Nightfall. Although when the composition of the poem is death, the words describe life, as if loath(p) to face up to reality. The images are of suburbs, lights, birds and trees. Even with so many experiences, many of us go out forever be ignorant seems to be the integrity ringing constantly though Harwoods verses.As we can assembly from the examples, Gwen Harwood uses language to ready dynamic backgrounds and images to subtly delineate the changes experienced by the persona in the poems. Sometimes the characters themselves are not aware of these changes but the readers are fit to appreciate them with the aid of skill Harwood posses in using language to much(prenominal) great measures. Gwen Harwood Changing Of The Self Essay -- essays research papers In Gwen Harwoods poetry, the changes in an individuals perspective and attitudes towards situations, surroundings and, therefore transformations in themselves, are brought on by external influences, usually in the form of a person or an event. These changes are either results of a dramatic realisation, as seen with shattering of a childs hopes in The Glass Jar, or a melancholy and gradual process, where a series of not so obvious discoveries produces similar reformation. An example of the later case would be Nightfall, the second section of Father and Child, where the persona refers to her forty years of life causing maturation. For the most part these changes are not narrated directly but are represented by using dynamic language techniques to illustrate constant change in the universe of the poem. One of the significant aspects of changing self covered in Harwoods poems is the process in which, a childs innocent mind, like a blank page, is inked and tainted by some experience. Their hopes, dreams, beliefs, founded on their naive perspective of life, and the way the young restyle themselves consciously or subconsciously as they make new discoveries are all explored. In the poem The Glass Jar we witness the heart-wrenching episode in a little boys life, where he is made to discover a distressing reality. Putting his faith first in a monstrance and then in his own mother, he finds himself being betrayed by both. With the many allusions to nature (for example the personification of the sun and references to animals and woods and so on) Gwen Harwood constructs a dynamic backdrop which allow the responder to dwell on the subtle shifts in the childs personality. The setting is the terrain of nightmares and dreams, where conscious will is suppressed and the reigns are handed to the subconscious mind. By making subtle changes in the ways dreams are portrayed, she shows us that the boy has been changed by his experiences. Before the betrayals the dreams are quite indefinite, relying on incomplete images of pincers, claws and fangs to represent the horror. The lines, His sidelong violence summoned/ fiends whose mosaic vision saw/ his he art entire are literal indications of his incapability to comprehend what is happening to him. Then he wakes and attempts to seek comfort from the monstrance. His hopes for a miracle, brought on by his innocence, ... ... its mysteries. References to time and transience fill these verses. Intervening with the many allusions to nature we see constant movement and change since there is no more to taste Father we pick our last / fruits of the temporal. But this time the approach is less seeking, more slow and uncommitted, reflecting the calmness and control acquired by experience. More than death itself, Harwoods poetry shows how many people fail to accept death. Their belief in immortality and fear of the end is also potrayed in Nightfall. Although when the subject of the poem is death, the words describe life, as if reluctant to face up to reality. The images are of suburbs, lights, birds and trees. Even with so many experiences, many of us will forever be ignorant seems to be the tr uth ringing perpetually though Harwoods verses.As we can gather from the examples, Gwen Harwood uses language to create dynamic backgrounds and images to subtly delineate the changes experienced by the persona in the poems. Sometimes the characters themselves are not aware of these changes but the readers are able to appreciate them with the aid of skill Harwood posses in using language to such great measures.